Phèdre

Written by Jean Racine

Directed by Nicole Wiesner

Tiffany Bedwell and Dennis    Bisto2

Trap Door Theatre presents an adaptation of Jean Racine’s Phèdre. Physical evocations of the myths of ancient Greece, as well a critical eye towards societal conventions combine to create a modern take on this classic story of forbidden love.

Cast: Tiffany Bedwell, Dennis Bisto, Abby Blankenship, Halie Ecker, John Kahara, Emily Lotspeich, Ann Sonneville, Carl Wisniewski

Trap Door Theatre is the site of perhaps the greatest Chicago theater success in the last quarter century

Justin Hayford- Chicago Reader

Norma Desmond is alive and definitely unwell. She’s just going by the name ‘Phèdre’ and her address is Cortland Avenue, not Sunset Boulevard

Kerry Reid – Chicago Tribune – ***

TiffanyBedwell

Trap Door’s (…) company has been mounting intractable, inscrutable plays for 22 years, is the site of perhaps the greatest Chicago theater success in the last quarter century.I know, I know, such superlatives are supposed to be reserved for companies like the Goodman or Steppenwolf, (…)but in our pathologically mercantile culture, we too easily confuse a cultural institution’s accumulation of assets (…) with its importance.

(…)

Director Nicole Wiesner superimposes stark distancing devices- angular stylized movement, intermittent doubling of characters, barking choral laughter
(…)
as does Danny Rockett’s echoing, distortion-heavy sound design.

Justin Hayford- Chicago Reader

Wiesner creates arresting, confounding stage images (…)
Wiesner’s eye for the inexplicably resonant is characteristically sharp
(…)
Tiffany Bedwell’s performance as Phèdre is arresting would be understatement: it’s hard to imagine a more invested and varied embodiment of one overwhelmed by forbidden and unrequited lust.

Justin Hayford- Chicago Reader

Halie Ecker’s Venus is an exceptional portrayal of a Goddess, typically represented as languid and voluptuous: here, her sinister wiles bring out the insidiousness of lust and fit perfectly in the production that allows for no redemption.

August Lysy- Chicago Critic

Halie Ecker and Abby   Blankenship

Jean Racine (Playwright) was a French poet and playwright born in 1639. From age nine he was reared in a Jansenist convent and chose drama as a career in defiance of his upbringing. His fame rests on his neoclassical tragedies: Britannicus (1670), Bérénice (1671), Bajazet (1672) and Phèdre (1677) [known as Phaedra in English]. Through some odes and sonnets written to Louis XIV, he attracted the attention and interest of the King. In Paris he met Moliere, the great comic playwright and actor-manager, who staged in 1664 Racine’s first tragedy with mediocre success. His first great success came with Andromaque (first performed in 1667) which established Racine’s most appreciated theme, that of the tragic folly and blindness of most passionate, uncontrollable love. Phaedra, the most profound and poetic of his tragedies, uses Euripides as a source and inspiration. In 1672 Racine became the member of the French Academy and two years later obtained the office of treasurer of France, the position conferring nobility. Eight months after the premiere of Phaedra, Racine cut all links with the commercial stage, married a pious young woman and accepted with Nicholas Boileau, the high honour of writing the official history of the regime of Louis XIV. During the next twenty years, he wrote only two plays notable for the presence of choral interludes on the ancient Greek model. He died in 1699

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Nicole Wiesner (Director) has been a member of the Trap Door Theatre since 1999. Directing credits include Meg Miroshnik’s Fairytale Lives of Russian Girls and Howard Barker’s Minna. Favorite Trap Door acting credits include First Ladies (director Zeljko Djukic, Joseph Jefferson Citation: Outstanding Actress), OVERWEIGHT; unimportant: MISSHAPE (director Yasen Peyankov); and the title roles in The Bitter Tears of Petra Von Kant and Nana (director Beata Pilch) and Alice in Bed (director Dado). Other credits include Shining City (director Robert Falls; Passion Play (director Mark Wing-Davy, After Dark Award, Outstanding Performance) at the Goodman Theatre; The Book Thief (director Hallie Gordon); South of Settling (director Adam Goldstein) and Dublin Carol (Director Amy Morton) at Steppenwolf Theatre, Shining City (director Robert Falls at Huntington Theatre in Boston; Passion Play (director Mark Wing-Davy) at Yale Repertory Theatre, Passion Play (director Mark Wing-Davy) at the Epic Theatre in NYC; Dying City (Director Jason Loewith) at Next Theatre, Great Men of Science (Director Tracy Letts) at Lookingglass Theatre.

Assistant Directors: Gary Damico and Skye Fort/ Set Designer: J. Michael Griggs/ Lighting Design: Richard Norwood/ Costume Design: Rachel Sypniewski/ Sound Design/ Composer: Danny Rockett/ Make-up Design: Zsófia Ötvös/ Graphic Design: Michal Janicki/ Dramaturg: Milan Pribisic/ Stage Manager: Gary Damico


News!
 
Chicago Reader names Trap Door Theatre as runner up for Best Off Loop Theatre Company! Best of Chicago 2018
 

Time Out Chicago recognizes Trap Door as one of the best storefront theatres in the city!

Trap Door welcomes
New Resident Director: Monica Payne
and New Resident Sound Designer: Danny Rockett

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