The Crazy Locomotive
Written by: Stanislaw I. Witkiewicz
Directed by: Beata Pilch
The New York International Fringe Festival-FringeNYC
A Production of The Present Company
“It’s a buffoonish, perverse, assaultive, and exhilirating ride, just the kind Witkiewicz must have envisioned. ” - Chicago Reader
“Witkiewicz nicely unplugged…few American theaters are willing to risk doing his work…it seems like Trap Door only has the guts.”
- The Chicago Tribune
A band of degenerate criminals and artists commandeer an engine and seek to bring about God’s judgment by racing at apocalyptic speeds into an oncoming passenger train.
This is your brain on Witkiewicz.
Stanislaw I. Witkiewicz (Playwright) Stanislaw I. Witkiewicz is one the most brilliant figures of the European avant-garde, Witkiewicz was a poet, painter, playwright, an expert on drugs, an early spokesman for a radically non-realistic theatre and an original philosopher and social critic of mass culture, post-industrial society, and the rise of totalitarianism. He was also a pioneer in serious experimentation with narcotics and prophetically recognized the growing importance that they would have on Western civilization. Politics, revolution, and even art were similar “drugs.” Witkiewicz committed suicide shortly after the outbreak of War in September of 1939. He is best known for his plays The Madman and the Nun, The Mother, The Water Hen, The Anonymous Work, and The Shoemaker.
Beata Pilch (Director) born in the Polish district of Chicago, holds a Bachelor’s Degree in Acting from the United States International University in San Diego, California, and a Master’s Degree in Acting from the California Institute of the Arts in Valencia, California. Pilch founded Chicago’s Trap Door Theatre in 1990 and still presides as its Artistic Director. She cultivated her life-long fascination with the avant-garde and obscure as a graduate student at the California Institute of the Arts. A Chicago native and frequent European traveler, she felt that a company that combined bold and physical European acting technique with rich European theatrical literature would provide Chicago’s entertainment scene with a unique and vibrant voice. Beata remains true to her original mission and continues to travel abroad every year to research up-and-coming directors, playwrights and stage technique in Berlin, Budapest, Krakow, Zakopane, Paris and other continental cities.
Assistant Director Andrew Krukowski / Set Designer Ewelina Dobiesz / Lighting Design Richard Norwood / Costume Design Beata Pilch / Sound Design Anna Czerwinski / Film Design Carrie Holt de Lama