Cast: Dennis Bisto, Anna Klos, Miguel Long, David Lovejoy, Michael Mejia, Emily Nichelson, Manuela Rentea, Keith Surney and Carl Wisniewski.

Playwright

Tadeusz Rózewicz was a Polish poet and playwright born in 1921 in Radomsko. His work combines elements of the Polish avantgarde and the Theater of the Absurd. He developed an interest in writing and publishing his writings early on. He joined the Polish resistance against the Nazis under a partisan name Satyr and made use of his wartime experiences in his first two volumes of poems, Anxiety (1947) and The Red Glove (1948). In the 1960s, he began writing plays including The Card Index (1961), The Witnesses, or Our Little Stabilization (1962) and The Old Woman Broods (1969). In the 1970s and 1980s, his plays changed course. They deal with a strange evolution of the 20th century focusing on powerful historical figures, such as Franz Kafka. These plays still use fragmentation and collage as in his earlier plays, but they also see the stage as a public arena and workplace of provocation and controversy. The best-known titles of this period include Dead and Buried (1972), White Wedding (1975), The Hunger Artist Departs (1976) and The Trap (1982). Rózewicz also wrote novels, short stories, and works of nonfiction. He died in 2014 at the age of 93.

The Old Woman Broods

 

Written by Tadeusz Rózewicz

Translated by Chris Rzonca and Krystyna Illakowicz

Directed by Nicole Wiesner

December 13, 2018 – January 26, 2019

Director

Nicole Wiesner joined the Trap ensemble in 1999 and currently serves as the Managing Director. Directing credits for the company: Minna, The Fairytale Lives of Russian Girls, Phedre, Monsieur D’eon is a Woman, and The Old Woman Broods. Some of her favorite Trap acting credits include First Ladies (dir. Zeljko Djukic, Joseph Jefferson Citation: Outstanding Actress); OVERWEIGHT, unimportant: MISSHAPE (dir. Yasen Peyankov); and the title roles in The Bitter Tears of Petra Von Kant; Nana (dir. Beata Pilch) and Alice in Bed. (Director Dado). Regionally, she has appeared at the Goodman Theatre in 2666, directed by Robert Falls and Seth Bockley; Shining City directed by Robert Falls; and Passion Play, directed by Mark Wing-Davy (After Dark Award, Outstanding Performance). Other credits include Shining City at the Huntington Theatre in Boston; Passion Play at Yale Repertory Theatre and Epic Theatre NYC; The Book Thief (dir. Hallie Gordon), South of Settling (dir. Adam Goldstein) and Dublin Carol (Dir. Amy Morton) at Steppenwolf Theatre; Dying City (dir. Jason Loewith) at Next Theatre, Great Men of Science (dir. Tracy Letts) at Lookingglass Theatre; and Phedre (dir. JoAnn Akalitis) at The Court Theater.

Assistant Director Skye Fort / Set Designer J. Michael Griggs/ Original Music and Sound Design Danny Rockett / Costume Designer Rachel Sypniewski/ Lighting Designer Richard Norwood / Makeup Design Zsofia Otvos / Graphic Designer Michal Janicki/ Dramaturge Milan Pribisic / Choreographer Miguel Long / Stage Manager Shannon Rourke