No Matter How Hard We Try

or

We Can Exist on The Best Terms We Can

Written by: Dorota Maslowska

Translated by: Artur Zapalowski 

Directed by: Max Truax

Opens: Thursday, May 12,  2016       Closes: Saturday, June 25, 2016 at 8PM

….to skip this show would be to miss some truly lovely performances from a talented ensemble.
Smyra Yawn, Performink
 
Director Max Truax’s heavily choreographed direction keeps the play visually interesting, while his ensemble delivers black humor with wicked wit.
Jacob Davis, Chicago Critic
 
Through 90 minutes of hallucinogenic mayhem, nicely corralled by director Max Truax, Maslowska ruminates on the post-World War II evisceration of a meaningful Polish identity.
Justin Hayford, The Chicago Reader
Recommended! *** 3 Stars! Kerry Reid  
  The Chicago Tribune

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Cast:  Tiffany BedwellMarzena BukowskaSimina Contras

Halie EckerMichael Garvey,

Johnny Graff, Emily Nichelson, Beata Pilch, and Kelsey Shipley.

 This show is supported by:

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DOROTA MASLOWSKA is a Polish writer born in 1983. Her first novel translated into English as SNOW WHITE AND RUSSIAN RED, was published while she was still a teenager and made her an instant literary sensation in her native country. The novel detailed the growing pains of marginalized small-town youth. In 2005, Mas?owska published her second book, THE QUEEN’S PUKECOCK, a 150 page rap poem in prose. Both of these books were adapted for the stage in Poland, Germany and Great Britain. Maslowska wrote her first play, A COUPLE OF POOR-POLISH SPEAKING ROMANIANS, in 2006 (Trap Door staged it in 2009) and her second one, NO MATTER HOW HARD WE TRY, OR WE CAN EXIST ON THE BEST TERMS WE CAN, in 2008. In 2012, Maslowska published another novel, HONEY, I KILLED OUR CATS, and in 2014 released her first music album, THE SOCIETY IS MEAN, a mixture of punk, rap and dance music with lyrics commenting on current social issues. Mas?owska ’s writing is characterized by her ironic, pessimistic worldview and extraordinary linguistic power; as a postmodern writer she confronts, disturbs and subverts sacred ideas of selfhood and nationhood

MAX TRUAX is a Resident Director at Trap Door, where he has directed productions of  THE BALCONY by Jean Genet, THEY ARE DYING OUT by Peter Handke, an operatic interpretation of HAMLETMACHINE by Heiner Muller, NO DARKNESS ROUND MY STONE by Fabrice Melquiot, and A COUPLE OF POOR, POLISH-SPEAKING ROMANIANS, also by Dorota Mas?owska. His production of  A COUPLE OF POOR, POLISH-SPEAKING ROMANIANS  performed at the Fun Underground Festival in Arad, Romania and at the Bagatela Theatre in Krakow, Poland.  Max is a freelance director and has directed several productions at Oracle Theatre, such as NO BEAST SO FIERCE, THE PRESIDENT, and THE MOTHER.   His production of THE MOTHER received several Jeff Awards including awards for Best Production and Best Ensemble. Max studied visual art, performance art and choreography at Oberlin College and received his MFA in Theatre Directing from California Institute of the Arts.

Set Designer Joanna Iwanicka/ Lighting Designer Richard Norwood / Costume Designer Rachel Sypniewski / Sound Designer Steve Labedz/Video Design Paul Deziel/Stage Manager Deirdre Connelly/ Makeup Designer / Zsófia Ötvös Graphic Designer Michal Janicki/

 


News!
 
Chicago Reader names Trap Door Theatre as runner up for Best Off Loop Theatre Company! Best of Chicago 2018
 

Time Out Chicago recognizes Trap Door as one of the best storefront theatres in the city!
 
Trap Door welcomes
Associate Ensemble members:

Adam Huizenga
Sami Ismat
David Kaplinsky
Vic Kuligoski
Eddie Lynch
Josh Pennington
Christopher Prchal
Alex Stien
Alexander Trice
Nora Lise Ulrey
Kristin Davis*
(*Resident Stage Manager)

 

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