OLD CLOWN WANTED

Written by Matei Vişniec

Translated by Alison Sinclair
Directed by Gregory A. Fortner
Opened: November 2005
With Performances in Chicago, New York, and Romania

This production was partially sponsored by Etant Donnes: The French American Fund for the Performing Arts, a program of FACE.

“Trap Door Theatre is the perfect company to engage in such an otherworldly examination of emotional contrasts. Director Gregory A. Fortner compiles a wonderful design team and a startling cast. His intelligent direction is captivating, and the other performances are intense, complex, and as whimsical as they are dead serious.”
– Venus Zarris, Gay Chicago Magazine

“There’s nowhere to hide in Trap Door’s black box, and the universally sharp cast doesn’t waste a breath or a twitch.”
– John Beer, Time Out Chicago

CAST: Circus-Szalewski, John Gray, and Bob Wilson

SET DESIGN: Ewelina Dobiesz
LIGHTING DESIGN: Richard Norwood
SOUND DESIGN: Bob Rokos
COSTUME DESIGN: Beata Pilch
STAGE MANAGER: Kate Piatt-Eckert

Three aging clowns compete for a job in this absurdly comic look at man’s fear of uselessness in society. Dying is easy, comedy is hard.

ABOUT THE PLAYWRIGHT:

Matei Vişniec playwright, poet and journalist, was born in Romania, and now lives in Paris. He began writing for the theatre in 1977. Early in his career Vişniec’s plays were banned by the Romanian censors. In 1987 he was invited to France by a literary foundation. While there, he asked for and received political asylum. After the fall of communism in Romania, in 1989, Vişniec became one of the most performed playwrights in the country. Vişniec gained international attention in 1992, with productions of Horses at the Window in France, and Old Clown Wanted at the Bonner Biennale. Since then, Matei Vişniec’s work has been produced in France, Germany, United States, Denmark, Austria, Poland, Finland, Italy, Turkey, Brazil, Romania, and Moldavia. By a decree signed by French President Emmanuel Macron, Matei Vişniec became a Knight of the National Order of Merit.

ABOUT THE DIRECTOR:

Gregory A. Fortner directed numerous plays and operas throughout the United States and South America. Previous engagements include directing Faust and Don Giovanni with Toledo Opera, Lucia di Lammermoor with Palm Beach Opera, Carmen with Opera Carolina, Il Trovatore for Opera do Meia Dia at the Teatro Municipal in Rio de Janeiro, a debut with Anchorage Opera for Don Giovanni, directing Madame Butterfly with Michigan Opera Theatre, as well as two new productions of the children operas Princess and the Pea and Little Red Riding Hood for Opera Pacific. He worked with Sir Peter Hall on A Mid-Summer Marriage for the Lyric Opera of Chicago, as well as a stadium production of Verdi’s Aida for Mumbai, India. Fortner received a Bachelor of Musical Arts from the University of Michigan with a concentration on vocal performance and Italian language. He also worked as a production assistant on the Academy Award winning documentary film, Bowling for Columbine with legendary filmmaker Michael Moore, and has worked as an associate producer for videos and commercials with HKO Media.