Trap Door credits
- Medea Material
- And Away We Stared
- Decomposed Theatre, Episode 5
- Monsieur D’eon is a Woman
- The Old Woman Broods
- The Martyrdom of Peter Ohey (assistant director)
- Childhood Beauty (assistant director)
- Lipstick Lobotomy (assistant director)
- Joan and the Fire
- The Martyrdom of Peter Ohey
- Childhood Beauty
- The White Plague
- Lipstick Lobotomy
Ensemble member Miguel Long (he/him/his) has been a member of the Trap Door community since 2018. He is a Chicago native artist and designer. He received a BA from Northeastern Illinois University, with a CMT (communication, media, theater) degree.
If you ever wish to know what cutting-edge theater looks like in Europe, take a peek at this magnificent company.
Stage and Cinema
…we need this unique presentation (…), a collaboration between this awesome ensemble (…Chicago’s amazing avant-garde company Trap Door Theatre) and an international group of guest performers and directors.
Tony Frankel, Stage and Cinema (about Decomposed Theatre)
For this writer, though, the best of the best is the choreography for which she shares credit with the entire cast. The secret society ensemble moves are a hoot; the break dancing competition that comes later even better.
Amy Munice, Picture This Post (about Monsieur D’eon is a Woman)
The large, diverse cast is uniformly strong.