Zsófia Ötvös

Trap Door Credits

Make-up Design

• Mother Courage and her Children
  
• Joan and the Fire
• The Ugly One
• Medea Material
• The Martyrdom of Peter Ohey
• Queen C
• Dinner with Marx
• And Away We Stared
• Discourse Without Grammar
• Decomposed Theatre
• Lipstick Lobotomy
• The White Plague
• Love and Information
• The Killer
• 25/25 Festival
• Tango
• The Old Woman Broods
• Naked
• Monsieur d’Eon is a Woman
• Letter of Love (The Fundamentals of Judo)
• The Locketeer
• THEY
• Occidental Express
• Into The Empty Sky
• The Resistible Rise of Arturo Ui
• Phèdre
• Fantasy Island for Dummies
• No Matter How Hard We Try
• How to Explain The History of Communism to Mental Patients
• The Duchess of Malfi
• The Fairytale Lives of Russian Girls
• The Universal Wolf
• The Woman Before
• La Bête
• Cookie Play
• John Doe
• Regarding the Just
• Vatzlav
• Judith: A Parting from the Body
• Blood on the Cat’s Neck
• The Balcony
• Core of the PUDEL: Gutting the Legend of Faust
• The Unveiling and Dozens of Cousins
• The Arsonists
• Smartphones
• Anger/Fly
• They Are Dying Out
• the word progress on my mother’s lips doesn’t ring true
• OVERWEIGHT, unimportant: MISSHAPE – A European Supper
• First Ladies
• Hamletmachine
• Me Too, I am Catherine Deneuve
• Chaste: An Awful Comedy
• Minna
• 12 Ophelias: A Play with Broken Songs
• A Couple of Poor, Polish-Speaking Romanians
• Horses at the Window
• The Unconquered
• No Darkness Round My Stone
• The Beastly Bombing
• Eva Peron
• The Bitter Tears of Petra Von Kant
• The Fourth Sister
• The Crazy Locomotive

Resident Make-up Artist

Resident makeup artist Zsófia Ötvös (she/her/hers) joined Trap Door in 2015. Originally from Budapest, Hungary, she received a BA in art and theater from North Central College. About her style, she says, “I am an artist portraying characters that highlight their hearts and souls. My makeup design and my figurative paintings are both inspired from this sentiment with a strong favor to satire.” She has two websites, one for her makeup and one for fine art.